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dc.contributor.advisorRetolaza Gutierrez, Iratxe ORCIDes
dc.contributor.authorIbarzabal Salegui, Nereaes
dc.contributor.otherF. CC. SOCIALES Y DE LA COMUNICACIONes
dc.contributor.otherGIZARTE ETA KOMUNIKAZIO ZIENTZIEN F.es
dc.date.accessioned2016-09-26T17:09:24Z
dc.date.available2016-09-26T17:09:24Z
dc.date.issued2016-09-26
dc.identifier.urihttp://hdl.handle.net/10810/18970
dc.description.abstract[EUS] Gradu Amaierako Lan honetan esparru hauek uztartu dira: bertsolaritza, hedabideak eta Genero Ikasketak. Hiru esparru horien bidegurutzean, 2016ko Bertso Egunaren genero-irakurketa bat egitea du helburu ikerlanak. Genero-azterketa egiteko, bertso-emanaldiaren hiru alderdi nagusi aztertu dira: batetik, antolakuntzak hartutako erabakiak aztertu dira; bestetik, bertsolarien bertso-jardunaren inguruko gogoeta egin da; eta azkenik, EITBk eginiko ikus-entzunezko ekoizpena izan da hizpide. Alderdi horien analisia egiteko lau urrats nagusi egin dira: lehenik, Bertso Egunaren inguruko dokumentazio-lana osatu da; bigarrenik, bertso-egoeren, bertso-jardunaren, eta ikus-entzunezkoaren deskripzioa egin da; hirugarrenik, deskripzioan xehaturiko ezaugarrien interpretazioa egin da, atalez atal; eta laugarrenik, atal guztien ezaugarriak kontuan harturik, ondorio orokor zenbait garatu dira.es
dc.description.abstract[EN] The present Final Degree Project combines the following dimensions: bertsolaritza (Basque improvised poetry), media and Gender Studies. Based on such dimensions, this research aims at making a cross-functional interpretation of the Bertso Eguna 2016 (Day of the Basque Improvised Poetry 2016). In order to analyze gender-perspective, three main areas were studied around the bertso-performance: on the one hand, decisions made by the organizers were examined; on the other, the speech of the bertso-singers was considered; finally, the audiovisual production made by EITB (Basque Radio-television) was evaluated. The analysis of these aspects was made on four major steps: Firstly, documentation-work around the Bertso-Eguna was completed; secondly, improvisation topics and circumstances, improvisation speeches and its audiovisuals were described; thirdly, characteristics detailed in descriptions were interpreted, part by part; finally, considering the characteristics of all the parts, general conclusions were achieved.es
dc.language.isoeuses
dc.rightsinfo:eu-repo/semantics/openAccesses
dc.subjectbertsolaritzaes
dc.subjectbertso egunaes
dc.subjectgeneroaes
dc.subjectikus-entzunezko komunikazioaes
dc.subjectlidertzaes
dc.subjectkolektibotasunaes
dc.titleBertso eguna 2016: bertso-ikuskizuna eta genero-ikuspegiaes
dc.typeinfo:eu-repo/semantics/bachelorThesises
dc.date.updated2016-05-19T08:47:50Zes
dc.language.rfc3066eses
dc.rights.holderEste trabajo está bajo Licencia Creative Commons Reconocimiento – NoComercial – CompartirIgual (by-nc-sa)es
dc.contributor.degreeGrado en Periodismoes
dc.contributor.degreeKazetaritzako Graduaes
dc.identifier.gaurassign32131-701613es


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