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dc.contributor.advisorMartínez Sobrino, Alejandro ORCID
dc.contributor.authorValerio Tejada, María Cristina
dc.contributor.otherF. LETRAS
dc.contributor.otherLETREN F.
dc.date.accessioned2020-05-25T16:59:49Z
dc.date.available2020-05-25T16:59:49Z
dc.date.issued2020-05-25
dc.identifier.urihttp://hdl.handle.net/10810/43427
dc.description31 p. : il. -- Bibliogr.: p. 23-25
dc.description.abstractLove, says Socrates, is a “bolt of lightning”, an unexpected, spontaneous miracle that is inherent to us humans. Love is so powerful that remains a mystery to us, despite the innumerable human attempts to understand it throughout history. Chief among them has been art, a perfect means to both comprehend it and to express it, and poetry its main exponent. Probably one of the most influential poets for his love poetry is the Roman poet Catullus, whose love affairs with Lesbia described in his poetry spread across Europe during the Middle Ages. In this paper, I aim to analyse whether some traces of Catullian influence can be seen in 19th century female poetry, more specifically in the counting poem “How Do I Love Thee?” by Elizabeth Barrett Browning and Lizzie Siddals’ “Love and Hate”. In order to do so, I will be comparing the English poems to Catullus’ Carmina 7 and 85.es_ES
dc.language.isoenges_ES
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectlove poetry
dc.subjectCatullus
dc.subjectreception
dc.subjectElizabeth Barrett Browning
dc.subjectLizzie Siddal
dc.titleOdi et Amo: The Reception of Catullus' Love Poetry in 19th Century Britaines_ES
dc.typeinfo:eu-repo/semantics/bachelorThesis
dc.date.updated2019-09-04T06:09:57Z
dc.language.rfc3066es
dc.rights.holder© 2019, la autora
dc.contributor.degreeGrado en Estudios Ingleseses_ES
dc.contributor.degreeIngeles Ikasketetako Gradua
dc.identifier.gaurregister99386-735314-11
dc.identifier.gaurassign68322-735314


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