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Política del arte y arte político: sobre crítica del poder y autonomía estética
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
The conversion of art into an ideological platform can be a fad that sacrifices the autonomy of art to new forms of meaningless heteronomy. In this way, criticism and resistance become rhetoric and dependence, such as the ...
Disidencias contraacadémicas desde las vanguardias y el docente de artes del s. XXI
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
This article points to the self-taught person as a classical academic dissident of all times and areas, either officially learned or not and the great benefits that this traditional subversive agent brings to art, knowledge, ...
El inevitable horizonte nómada para artistas del espectro mujer
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
The invisibility of the artistic production made by artists of the female spectrum, the undervaluation of the issues they address, and the difference in opportunities with respect to their male colleagues: these are all ...
Mike Leigh, un cineasta disidente
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
Mike Leigh (Salford, England 1943), like many other filmmakers of his generation, revealed against the mainstream films’ distance from reality, he wanted to see on the screen “people living as actual people not as the ...
Cómo desaparecer del mapa: un caso práctico de disidencia online
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
La red Internet ha pasado de ser un lugar de posibilidades emancipatorias que permitió la aparición de espacios de actuación independientes, a un espacio hiperregulado por grandes compañías. Esta transformación también ha ...
Arte y alienación en Bilbao
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
Capital enters Bilbao through culture, deindustrialization and industrial ruins, giving way to the construction of a new city, taking space as a value of change, as a product in which to impose the new model of neoliberal ...
Narcisismo tecnológico electrocutado
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
The words are exhausted. They have mutated. But their fury is closer to a background noise than a contingent of new meanings. A crisis of sense, a plot twist arisen in the mid-nineties known as storytelling. A control and ...
Comparte, copia y mejora: la piratería como medio de desarrollo tecnológico y cultural
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
This paper aims to talk about piracy not so much as a threat to the system, but as the most effective way of technological and cultural development. We will set out from the examples mentioned in The Pirate Book (Maigret ...
Los soportes de publicidad exterior como elemento de exhibición artística en el arte español de vocación crítica
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
The starting point of this article is the relationship between art and advertisement that leads us to analyze how visual arts and Artistic Institution use some resources from the Publicity Industry. We focus on outdoor ...
Hacking the system / Open access
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2018)
Coding, normativity, heteronomous semiotics, pathologization / integration, commercialization ... These are some of the characteristics/problems (‘bugs’ or errors to hack with our ‘exploits’) of the current Art System, a ...