dc.contributor.author | Canto Combarro, Urtzi | |
dc.date.accessioned | 2018-02-13T13:21:41Z | |
dc.date.available | 2018-02-13T13:21:41Z | |
dc.date.issued | 2016 | |
dc.identifier.citation | AusArt 4(2) : 83-91 (2016) | es_ES |
dc.identifier.issn | 2340-9134 | |
dc.identifier.issn | 2340-8510 | |
dc.identifier.uri | http://hdl.handle.net/10810/25034 | |
dc.description.abstract | With photographic registry as a boundary study, and a series of photographic shots of art work made by important artists, we analyze the possible overcome of the limits of the photographic medium, adapting the techniques to the needs of the work to be registered. Through sculpture, painting and even photographic examples, he realizes the human factor beyond the canonical limits of the photographic registry technique. | es_ES |
dc.language.iso | spa | es_ES |
dc.publisher | UPV-EHU Press | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/es/ | * |
dc.subject | photography | es_ES |
dc.subject | art | es_ES |
dc.subject | registry | es_ES |
dc.subject | sculpture | es_ES |
dc.subject | technique | es_ES |
dc.title | Modos y medios en el registro fotográfico: aproximación más allá de los límites de la fotografía de registro | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.holder | Este obra está bajo una licencia de Creative Commons Reconocimiento-CompartirIgual 4.0 Internacional. | es_ES |
dc.rights.holder | Atribución-NoComercial-SinDerivadas 3.0 España | * |
dc.relation.publisherversion | http://www.ehu.eus/ojs/index.php/ausart/article/view/17186/15392 | es_ES |
dc.identifier.doi | 10.1387/ausart.17186 | |
dc.departamentoes | Escultura | es_ES |
dc.departamentoeu | Eskultura | es_ES |