Show simple item record

dc.contributor.authorArbiza Goenaga, Mikel
dc.date.accessioned2020-07-29T11:42:45Z
dc.date.available2020-07-29T11:42:45Z
dc.date.issued2020
dc.identifier.citationAusArt 8(1) : 51-66 (2020)
dc.identifier.issn2340-8510
dc.identifier.urihttp://hdl.handle.net/10810/45744
dc.description.abstractEdmond de Belamy is a 2018 painting made by french collective Obvious, created using a type of Artificial Intelligence algorithms called Generative Adversarial Networks, which was sold at Christie's auction house in New York for $432,500. This historic event -the so-called auction of the "first artwork made by an AI" raises 3 interesting questions about authorship, originality, and the arts as a space for scientific inquiry. While some think that the current deployment of Machine Learning algorithms and Artificial Intelligence techniques that we are seeing in the art world today may be seen as the ultimate "Gesamtkunstwerk" or total artwork, other points of view express that not only we need this type of cultural artifacts as a critique of industrialized use of Artificial Intelligence, but also a strict criteria has to be delimited in order to review contemporary art made with Machine Learning techniques.
dc.language.isoeng
dc.publisherServicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.titleA critique of contemporary artificial intelligence art: Who is Edmond de Belamy?
dc.typeinfo:eu-repo/semantics/article
dc.rights.holder© 2020 UPV/EHU Reconocimiento-CompartirIgual 4.0 Internacional
dc.identifier.doi10.1387/ausart.21490


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

© 2020 UPV/EHU Reconocimiento-CompartirIgual 4.0 Internacional
Except where otherwise noted, this item's license is described as © 2020 UPV/EHU Reconocimiento-CompartirIgual 4.0 Internacional