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dc.contributor.authorJiménez Pazos, Bárbara ORCID
dc.date.accessioned2024-01-24T14:03:39Z
dc.date.available2024-01-24T14:03:39Z
dc.date.issued2019-11-01
dc.identifier.citationRevista de Humanidades Digitales 4 : 40–56 (2019)es_ES
dc.identifier.issn2531-1786
dc.identifier.issn10.5944/rhd.vol.4.2019.24395
dc.identifier.urihttp://hdl.handle.net/10810/64284
dc.description.abstractMuch of the literary criticism devoted to interpreting the work of W. Wordsworth tries, on the one hand, to overcome and moderate, or, on the other hand, to directly accept the manifest opposition against science and scientific practices that the poet maintains, mainly throughout his work The Prelude. I will examine the conceptual basis of such hostile attitude by digitally analyzing the lexicon used in this work. The results obtained permit confirming Wordsworth’s hostility towards science, and more precisely, the prejudice that modern science would not allow a humanized perception of nature. But I argue that this attitude is due to a latent enchanted worldview, in a Weberian sense, more suitable for the sentimental description than for the perception and description of the natural landscape based on the explanatory knowledge of nature.es_ES
dc.description.sponsorshipGobierno Vasco. Programa Posdoctoral de Perfeccionamiento de Personal Investigador Doctor 2017-2018.es_ES
dc.language.isoenges_ES
dc.publisherUNEDes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/*
dc.titleConceptual Basis for William Wordsworth’s Rejection to Science. Computational Analysis of the Lexicon in The Preludees_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.holder(cc) 2019 Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.es_ES
dc.relation.publisherversionhttps://revistas.uned.es/index.php/RHD/article/view/24395es_ES
dc.departamentoesFilosofíaes_ES
dc.departamentoeuFilosofiaes_ES


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(cc) 2019 Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.
Except where otherwise noted, this item's license is described as (cc) 2019 Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial 4.0 Internacional.