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Now showing items 161-170 of 223
Herramientas proyectuales en la obra de Anne Teresa De Keersmaeker. Proyecto coreográfico y proyecto arquitectónico: paralelismos
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
This essay attempts to establish a theoretical relationship between the choreographic project and the architectural project, pointing out similarities when creating in both disciplines. Through the choreographic analysis ...
La danza: aliada perfecta del pasado
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
The present essay shows three aspects of reconstructed choreographies done on the last few years: the first one deals with the controversies of reconstruction itself; that is, with the impossibility to get back the History ...
Cuando danza y género comparten escenario
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
The article exposes a set of relations between dance and gender. The body is the instrument of dance, so that the gender perspective is entirely appropriate for the analysis of dance. Gender studies and the fight for women ...
Balletvale+, la técnica de la danza clásica y la música como complemento a la rehabilitación física de la parálisis cerebral
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
Cerebral palsy (CP) is the most common motor disability originated during childhood that describes a group of permanent disorders of the development of movement and posture causing activity limitations and affects the ...
La belleza en la fealdad en la obra de Alain Platel
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
Different aesthetics theories have considered the ugliness as opposite of the beauty, but all these theories recognize the principle that the art has the power of representing in a beautiful way what is considered as ugly, ...
Las revistas especializadas: un fondo documental para el estudio de la historia de la danza en España
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
Given the lack of interest that in dance has raised in Spain, using the daily press as a secondary source to reconstruct its history it is insufficient, since references are often scarce, incomplete and in some cases ...
La danza y su voz: experiencias en la práctica coreográfica actual
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
This essay takes as starting point the question posed by Gilles Deleuze –following Spinoza-, the well known What can a body do?, in order to reformulate it into: What can the interweaving of voice, body, word and language ...
Duncan y Dalcroze en el sistema de Stanislavski: huellas de la danza y de la rítmica
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
This article wants to show the importance of the corporal techniques in the system for the training of actors, created by Konstantin Stanislavski, looking for the influence of dance of Isadora Duncan's and the eurhythmics ...
El ruido que se escapa: lo no idiomático como posicionamiento crítico ante el proceso de normativización de la música improvisada
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
This paper expounds a critical review of the notion of non-idiomatic improvisation. First introduced by the English musician Derek Bailey, it gained popularity with the release of his 1980 book Improvisation: its Nature ...
Desde el ruido
(Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2015)
Either in the Sound Art, or in the sound used in an artwork, the noise should not be observed from the communications perspective, but as a specific kind of sound that carries meaning itself. From a terminological approach ...