dc.contributor.author | Merino Álvarez, Raquel  | |
dc.date.accessioned | 2020-02-27T12:36:48Z | |
dc.date.available | 2020-02-27T12:36:48Z | |
dc.date.issued | 2017-03-16 | |
dc.identifier.citation | The Routledge Companion To Iberian Studies : 439-449 (2017) | es_ES |
dc.identifier.uri | http://hdl.handle.net/10810/41497 | |
dc.description.abstract | [EN] For most of the 20th century the totalitarian regimes of Franco in Spain (1939-1975) and
Salazar in Portugal (1933-1974) influenced Spanish and Portuguese cultural production, and
theatre life in particular. Both dictatorships are the backdrop against which the study of
theatrical culture on Iberian stages will be tackled in this contribution by gauging the role of
censorship in favouring or opposing the importation of foreign (Irish) drama. | es_ES |
dc.description.sponsorship | info:eu-repo/grantAgreement/MINECO/FFI2012-39012-C04-01T | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Routledge | es_ES |
dc.relation | info:eu-repo/grantAgreement/MINECO/FFI2012-39012-C04-01T | es_ES |
dc.rights | info:eu-repo/semantics/openAccess | es_ES |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/es/ | * |
dc.subject | translation | es_ES |
dc.subject | censorship | es_ES |
dc.subject | Irish theatre | es_ES |
dc.subject | Irish drama | es_ES |
dc.subject | Franco | es_ES |
dc.subject | Salazar | es_ES |
dc.subject | Iberian stages | es_ES |
dc.subject | Portugal | es_ES |
dc.title | Translation and Censorship under Franco and Salazar: Irish Theatre on Iberian Stages | es_ES |
dc.type | info:eu-repo/semantics/bookPart | es_ES |
dc.rights.holder | © 2017 selection and editorial matter, Javier Muñoz-Basols, Laura Lonsdale and Manuel Delgado; individual chapters, the contributors | es_ES |
dc.relation.publisherversion | https://www.taylorfrancis.com/books/9781315709895 | es_ES |
dc.identifier.doi | 10.4324/9781315709895 | |